Americana Music Festival

Peter Case "Thirty Days in the Workhouse"

Hitchhiking sounds so quaint when you think about it now, but back in the middle of the last century it was a bohemian, somewhat acceptable, but inherently dangerous mode of transportation. I took the gamble back in those days. There was a freedom to it, it was a dance between hiker and hikee. First thing, you assessed the driver and the situation before you even got in the car. Sometimes it was very companionable, sometimes you prayed the whole way to your destination and couldn’t wait to get out of the car. As a tomboy hippie chick, I stuck my thumb out a lot in the late 60s. I crisscrossed the state of Ohio, which is where I went to college, and then I hitchhiked up and down the California coast. You took your life in your hands each time. But there was the sense of being alive that was woven into the fabric of it, too. And the discovery; of new places, of people, of music. We joke about the vortex at Music Fog---this could have been the start of it, “I’ve come to look for America,” as Simon & Garfunkel sang.

Peter Case was a hitchhiker, too. His latest blog post is an in-depth reading about a hitchhiking journey he took, culminating by seeing Lightnin’ Hopkins at a gig in Boston. It is compelling, and actually more like reading a journal than a blog. It has such delicious detail and so captures the feel of those days. I love reading Peter’s stuff. I think it makes his music all the more relatable for where he’s been, where he’s coming from. That era, kids grew up with a cocoon around us that felt like an unreality. We needed to find substance somewhere. Day to day was boring and predictable. There was no magic to it, yet we knew that there was something out there, and we chased it. It is not unlike hitching a ride today on the internets, which can be just as dangerous, and winding up “somewhere else.” Read Peter Case here. And watch him here, where you're at, as we recorded him in September at Americana Fest in Nashville.

- Jessie Scott

Thirty Days In The Workhouse - Wig!

Will Kimbrough "It Ain't Cool"

Man, I cannot believe that it is just a week before SXSW®! The Film and Interactive portions of the Conference start this Friday, with the Music side of things starting on Tuesday, March 15th. The city of Austin is getting gussied up for the onslaught. There are billboards all over town that reference the party that is about to happen. It is interesting watching it unfold, as a resident here, instead of just parachuting in when it is full steam. At the same time, the trees are greening up, there is spring in the air, the days are getting longer, and damn it, it is time! We have a short winter here in Texas, but you know we pay for it in the summertime. But right now, it is just about perfect. Sunshiny days, and cool nights. But if you are heading here, check the weather, because it could be cold, or rainy, or unseasonably warm. You never know. But right now, the 10-day looks just about perfect.

Music Fog is excited to be bringing our Marathon to Threadgill’s WHQ again. (44 bands in 4 days---free shows, no badges! See schedule here.) We will have a lot of new faces playing for our cameras this time. Actually, we have not evr filmed about 75% of our line up this year.

Will Kimbrough is not listed, but we think he will appear anyway, as we expect him to accompany Brigitte DeMeyer on Friday, March 18th, at 7:20 pm. And so he continues as a Music Fog MVP. We have recorded him in lots of configurations; he has been solo, with Tommy Womack as Daddy, and with an ace band at Nashville's Americana Fest back in September. In Will’s latest blog post, you can find out who all he has been in the studio with this winter. And now he gets ready for the touring season to come. Of course for me that starts here in Austin next week. While we wait, let’s bring you “It Ain’t Cool,” from his album Wings. It's an anti-gossip song he wrote with Todd Snider. Todd is everywhere these days, too! Here is Will, with Lisa Oliver-Gray, Tim Mark and Fred Eltringham.

- Jessie Scott

It Ain't Cool - WINGS

Shawn Camp "Dying for Someone to Live For"

Back in 1975, I started working at a legendary New York City radio station, WHN. It was country, it was on the AM dial, and it became a destination for music that couldn’t be heard anywhere else in the city. I did the evening show there for six years, six nights a week. On one quiet Saturday night in 1979, I was spinning George Jones and Conway Twitty and Glen Campbell and Don Williams, when the request line rang. Well actually, it lighted up, as phones don’t ring in studios. I have always enjoyed finding out what people were up to and taking requests. (A footnote: this is not always the case, for many jocks would put the phones on hold the minute they came in to work, and never answered them.) I punched into a call, and the voice on the other end identified herself as Loretta Lynn. She said she was in a sound stage in New York recording a Crisco® commercial, and that they had done several takes, but hadn’t gotten it right yet. She asked to take a break to speak to a friendly voice. She figured she would find one at the country station so there she was. We chatted companionably for several minutes. I was tickled to talk to her, she was legend even then. The impact she has had on popular music is immeasurable, especially in giving voice to female empowerment.

Loretta Lynn celebrated 50 years in the entertainment business in November. She has had a storied career, and is still immersed. If you haven’t heard her Van Lear Rose CD, produced by Jack White in 2004, you owe it to yourself to get your hands (or ears) on it.

Today’s Music Fog tune is a co-write, Loretta with Shawn Camp. The song is called “Dying For Someone To Live For,” an old school “twist of a phrase” country title if ever I have heard one. The two of them have been writing together for over a year. What a lucky boy Shawn is, not to mention how totally worthy. He is an exceptional troubadour, writer, and instrumentalist. Here is the Music Fog recording of it, a solo acoustic performance from Shawn, filmed last September during Nashville’s Americana Fest.

- Jessie Scott

Shawn Camp